I really love this painting from Eva, the symbology, the coffin in a bottle with wine flowing out, or is it blood? And the 2 surreal characters in procession including the little detail of the two wilted flowers in their pockets.
For me it captures a little essence of what may be the Underworld as this is what was in my mind writing the song, a man trapped somehow in this fictional realm of the afterlife and trying to find a way back.

In painting the picture in sound there are quite a lot of ‘colouring’ notes flying around, extensions and suspensions - in other words, these are notes that wouldn’t normally appear in a chord and add a special feel or spice to the sound. To me this creates an effect of an obscured, blurry and confusing landscape, and something that perhaps doesn’t quite sit comfortably.

I was wondering how to show the sort of thing I mean and I think perhaps just showing you the scoring of the guitar part (a part I don't usually write out - I usually write out all the other parts because it saves a great deal of time - and of course I have MORE CONTROL over the music). The rhythm structure of the guitar is also something of a complex confusing mash when juxtaposed against the fairly straight 4 beat of the piece.